Fernandoprats : Photography

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Fernandoprats
‘Yes, I like watching and I watch’
Part of “Instant compositions instants” series.
2010
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Fernandoprats
‘Right sense/s’
Part of “Barceloning” series.
2010
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Fernandoprats
‘through an abbreviated dictionary’
Part of “Instant compositions instants” series.
2010
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Fernandoprats
‘I waited for you’
Part of “Álbum sin nombre” series.
2011
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Fernandoprats
‘Mushrooms that spring with the thaw in winter’
Part of “Organics are strange animals, never ending {¿^}” series.
2011
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Fernandoprats
‘Seen in Alicante, yes, please, like this’
Part of “Seening” series.
2011
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Fernandoprats
‘Some look green four times a week, at least’
Part of “Elegance, please… monsters” series.
2011
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This particular sequence is constructed from numerous different series of ‘FotoWorks’ by Fernando. Therefore, I would encourage anyone who is intrigued by these marvelous works to click on each individual image to view texts & tags. This will resignify the speech of each image and each series, allowing for a better understanding of context and a further appreciation of the artists original intent.

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Website

More Works

Y Sin Embargo Magazine

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Y SIN EMBARGO magazine #27 : in-significant

Y SIN EMBARGO magazine #27, in-significant (new!, free, independent)

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READ ONLINE

ON PAPER

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(sh)

in-significant

Not even things but the discourse on things.

Not even interaction with the object but just with the discourse on the object.

Absence of significance in an Empire of signifiers.

Rhetorical update: Surfer discourse not defending any stance, just suspecting.

Bottomless surfer, dissections by a forensic surgeon of the senses.

Sublimation of languages?

Apocalyptic deconstruction?

Waste management at the end of the game?

What do we speak about when we speak? What do we refer to?

Do you know what I’m talking about?

The medium turned into massage.

When the message from the medium is just the massage of discourse.

Massive addiction to the daily soma of a “renewed” discourse, a distracting one, without consequences or content, paradigmatic on mass-media and social networks.

Words and things.

What names and is named, cultural conventions, significance-signifier-jingle-label.

Channel as the bearer of uncontrollable noise.

At a higher level every day (as this formula is understood in programming) and further from objects and phenomena?

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edit(ing), direct(ing) & complements_
fernando prats

art direct(ing) & design(ing)_
estudi prats

colacao & ordenaciones_
rivera valdez

biotranslat(ing) & reflejos_
alicia pallas

(h)original music_
albert jordà / nevus project

(h)original video_
raquel barrera sutorra

front cover(ing) index_ players

open(ing) in-troduction_ alain vaissiere

clos(ing) macbeth_ leonie polah

back(c)over(ing) discourse_ thomas hagström

…from

roman aixendri
azurebumble
hernán dardes
manuel diumenjó
wilma eras
oriol espinal
ezook
thomas hagström
h.o.
kozology
françoise lucas
jorge montecof
graciela oses
alicia pallas
leonie polah
fernando prats
beatriz giovanna ramírez
miguel ruibal
juan pablo sáenz
jef safi
nirvana sq
alain vaissiere
susan wolff
dou_ble_you

Fernandoprats : Photography

Fernandoprats
‘Traveling to become humbler’
Part of People are people, 2.0 relationships and others.
2010

Fernandoprats
‘Absinther’
Part of Prahabsynth series.
2010

Fernandoprats
‘Muerte del ángel’
Part of Songfots series.
2009

Fernandoprats
‘For an oleaginous overview’
Part of Instant compositions instants.
2010

Fernandoprats
‘Answerer’
Part of Prahabsynth series.
2010

Fernandoprats
‘Probably you’
Part of “New York Old” series.
2010

Fernandoprats
‘Dyslexic dialogue’
Part of Instant compositions instants
2010

This particular sequence is constructed from numerous different series of ‘FotoWorks’ by Fernando. Therefore, I would encourage anyone who is intrigued by these marvelous works to click on each individual image to view texts & tags. This will resignify the speech of each image and each series, allowing for a better understanding of context and a further appreciation of the artists original intent.

Website

More Works

Y Sin Embargo Magazine

Y SIN EMBARGO magazine #25 : “just a memory”

sep.oct.nov.2010

The subject of this Y SIN EMBARGO is memory, its role, its functions, its updates upgrades, its new roles, dynamics, places and functions, and to go beyond in the forcing of logic or critical readings around these questions, the present issue will not have a permanent existence, available, ubiquitous, at hand, as a part of the shared memory that we humans have on the web; on the contrary, it will be lost, it will be a work sent directly to the void, where nothing supports it, as a fragile, dubious entity, or a pile of organized energy in a dissipative medium. Just like our old memories, or all that we cannot download from our heads (or access anywhere).

YSE#25, just a memory, will cease existing on October 5th, 2010.

El tema de esta Y SIN EMBARGO es la memoria, su rol, su papel, sus funciones, sus updates upgrades, sus nuevos roles, dinámicas, lugares y funciones, y para forzar aún más la lógica o las lecturas críticas en torno a estas cuestiones no tendrá una existencia permanente, disponible, ubicua, a la mano, como parte de la memoria compartida que los humanos tenemos en la red; por el contrario, se perderá, será trabajo enviado directamente al vacío, donde nada lo sostenga, como un ente frágil, dudoso, o un cúmulo de energía organizada en un medio disipativo; como nuestros antiguos recuerdos, o todo lo que no podemos descargar de nuestras cabezas (o accesar en sitio alguno),

YSE#25, sólo un recuerdo, dejará de existir el 5 de Octubre de 2010.

Y SIN EMBARGO magazine #25

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