prints | Azurebumble

Archive for the 'prints' Category

Jul

Azurebumble : ‘Green on Blue’ Series (Digital Artworks)

Categories: art, design, digital art, drawings, graphic design, photography, prints and texts
Tags: "Blue & Green", "Urban Redevelopment Plan", 'Circles, abstract, angles, architecture, art, azurebumble, black, black & white, blue, boarding, collage, colour, curves, damaged, dark, deconstruction, design, digital, distressed, drawings, experimental, fences, forms, fragments, geometric, green, infrastructure, lettering, light, lines, minimal, movement, patterns, photography, prints, reconstruction, Series, shadows, shapes, space, textural, textures, time, urban, white

A series of digitally enhanced urban photographs

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‘green on blue’ series
digital graphic
azurebumble
2013
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Azurebumble :: Ipernity

Jul

Azurebumble : ‘Black and Blue’ Series (Digital Artworks)

By azurebumble 1 Comment

Categories: art, digital art, drawings, graphic design, photography, prints and texts
Tags: "Urban Redevelopment Plan", 'Circles, abstract, angles, architecture, art, azurebumble, black, black & white, boarding, collage, curves, damaged, dark, deconstruction, design, digital, distressed, experimental, fences, forms, fragments, geometric, infrastructure, light, lines, minimal, movement, patterns, photography, reconstruction, Series, shadows, shapes, space, textural, textures, time, urban, white

A series of digitally enhanced urban photographs

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‘black and blue’ series
digital graphic
azurebumble
2013
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Azurebumble :: Ipernity

Dec

William Klein : “Painted Contact Sheets” Series

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Categories: art, graphic design, painting, photography and prints
Tags: 'Circles, 'street photography', abstract, black, black & white, bold strokes, colour, composition, contact sheets, crosses, curves, decisive image, dynamic, experimental, fashion, forms, graphic, graphic form, large-scale blow-ups, lines, mural-sized prints, paint, painting, photography, red, structure, Text, typographical, typography, visual language, William Klein

“The idea for the colour and graphics comes from the red lines
photographers put around their choices on a contact sheet.” W.K.

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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William Klein
‘painted contact’ series
silver gelatin print with paint,
24 x 20″
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Klein returned to still photography in the 1980’s, ever progressive and unrelenting in his approach. Revisiting his work to that date, he made large-scale blow-ups of his photographic contact sheets, revealing on an unparalleled scale the frames before and after the decisive image. Liberally applying gloss brush strokes in bold colours to these mural-sized prints, Klein brought together key elements from his long career: graphic form, composition and colour from the early murals and paintings juxtaposed with ground-breaking fashion and street photos, along with the narrative and bold visual language of his experimental films. A defining moment where his unique vision came full circle. – Extract

William Klein + Daido Moriyama : Tate Modern – Exhibition

Apr

El Lissitzky : ‘Prouns’ Series

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Categories: architecture, art, drawings, painting and prints
Tags: 'prouns', architectonic, color, El Lissitzky, experimental, forms, geometric, lithographs, mass, multiple perspectives, paintings, rhythm, shapes, shifting axes, space, spatial elements, suprematism, utopian models, visual language, volume

“the station where one changes from painting to architecture.” ~ El Lissitzky

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‘Announcer’
El Lissitzky
1923
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‘Globetrotter in Time’
El Lissitzky
1923
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‘Neuer (New Man)’
El Lissitzky
1923
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‘Untitled’
El Lissitzky
1923
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‘Proun’
El Lissitzky
1923
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‘Tatlin at Work’
El Lissitzky
1921
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‘Proun G7’
El Lissitzky
1923
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‘Proun’
El Lissitzky
1923
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‘Proun’ was essentially El Lissitzky’s exploration of the visual language of suprematism with spatial elements, utilizing shifting axes and multiple perspectives; both uncommon ideas in suprematism. Suprematism at the time was conducted almost exclusively in flat, 2D forms and shapes, and El Lissitzky, with a taste for architecture and other 3D concepts, tried to expand suprematism beyond this. His Proun works spanned over a half a decade and evolved from straightforward paintings and lithographs into fully three-dimensional installations. They would also lay the foundation for his later experiments in architecture and exhibition design. While the paintings were artistic in their own right, their use as a staging ground for his early architectonic ideas was significant. In these works, the basic elements of architecture – volume, mass, color, space and rhythm – were subjected to a fresh formulation in relation to the new suprematist ideals. Through his Prouns, utopian models for a new world were developed. This approach, in which the artist creates art with socially defined purpose, could aptly be summarized with his edict “das zielbewußte Schaffen” – “task oriented creation.” ~ [Ext]

El Lissitzky : More Works

El Lissitzky : Russian Constructivists

Apr

Borja Bonaque : Graphic Design Series

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Categories: art, design, graphic design, illustration, magazine and prints
Tags: 'Circles, abstract, Borja Bonaque, geometric, graphic design, Illustration, ink, lines, shapes, space, Squares, triangles

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‘Structure 3’
Borja Bonaque
Illustration
2009
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‘Circle’
2 inks screen print
Borja Bonaque
2011
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‘Structure 2’
Borja Bonaque
Illustration
2009
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‘Square’
2 inks screen print
Borja Bonaque
2011
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‘Structure 1’
Borja Bonaque
Illustration
2009
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‘Triangle’
2 inks screen print
Borja Bonaque
2011
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‘Structure 4’
Borja Bonaque
Illustration
2009
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Spanish artist Borja Bonaque has developed a personal and remarkable body of work. Looking to create projects with some kind of visual atmosphere, he is inspired by pure lines and geometric shapes. Always motivated to get the best possible results. He has produced artwork for companies such us Elwood, Financial Times, Wallpaper, Zoo York, New Scientist, Rioja Wines, Bancaja and Wired Magazine.

Borja Bonaque : Website