Ryoji Ikeda : ‘data.anatomy [civic]’ – (Audiovisual Installation)

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‘data.anatomy [civic]’ is a new audiovisual installation by Japanese artist Ryoji Ikeda, arising from a unique collaboration with Mitsuru Kariya, the development leader of the new Honda Civic car. Exhibited as a 3-screen video projection, the work immerses the viewer in an intricate yet vast audiovisual composition derived from the entire data set of the car. ~ [MUMA (Kraftwerk) Berlin on April 19th 2012]

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data.anatomy [civic] : website

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Ryoichi Kurokawa : ‘Sirens’ (Audiovisual)

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‘Sirens’
Novi_sad + Ryoichi Kurokawa
Audiovisual work
2012
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Japanese artist, born in 1978. Kurokawa’s works take on multiple forms such as installation works, recordings, and concert pieces. He composes the time sculpture with the field recordings and the digital generated structures, and reconstructs architecturally the audiovisual phenomenon. In recent years, his works were shown at international festivals and museums including Tate Modern, Venice Biennale, Transmediale, and Sonar. In 2010, he was also awarded the Golden Nica at Prix Ars Electronica. – [bio]

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Ryoichi Kurokawa : Website

Ryoichi Kurokawa : Vimeo

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Candas Sisman : ‘KNiTT’ (Motion Graphics)

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Commissioned by İstanbul 2010 European capital of culture Agency

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Sound and visuals: Candas Sisman

You can watch installation view : Here

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Candas Sisman : Website

Candas Sisman : Vimeo

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Candas Sisman : ‘EFF-LUX’ (Audiovisual installation)

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Audiovisual installation for 15 differently tuned pianos and video.

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Duration : 21 mins
Visuals : Candas Sisman
Music : Egidija Medeksaite
Electronic music festival “Jauna Muzika”

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Visual artist Candas Sisman (Turkey) and Lithuanian composer Egidija Medekšaitė present their collaboration work – audiovisual piece EFF-LUX. According to the author’s this work is their attitude to the daily process, which are made by humans sometimes as machines or with special attitude (hand craft). During the piece, the visual information transforms from mechanical forms to linear movements. The music is played by computer recorded 15 differently tuned Steinway pianos. For composer it is like characters of the different weavers, which are knitting their own melodies, using the same pitches, but structures and lines of melodies all the time are in rotation. Melodies as the 15 pianos gather to one structure and sometimes their splits to 15 different lines. The tempo of the music during the piece becomes three times slowly. Music is based on minimalist composition technique and repeating loops.

Involved with spur of the moment event, he incorporates abstract narrative language, containing a naivety and simplicity in contradiction with the commotion and ideology of life in general. These ‘events’ that emerge are tossed into the open by passing them through an emotional and perceptual filter of data and situations in the external world without preponderance. They’re a momentary/flow related audiovisual process People start recognizing they are nothing when depth of their awareness enhances. Its the nothingness within the most intricate details that allow for his complex simplicity.

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Candas Sisman : Website

Candas Sisman : Vimeo

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Joao Martinho Moura : ‘Supercollider Shape’ (Audiovisual)

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Lab for Electronic Arts and Performance, Berlin – 2nd December 2011

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A minimal audiovisual sculpture of sound and imagined
ink exploring Supercollider generative sound algorithms.

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Joao Martinho Moura : Website

Joao Martinho Moura : Vimeo

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