Posts Tagged ‘reflection

11
Jan
12

Fernell Franco : Photography

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‘retratos de ciudad’ series
fernell franco
photograph
90 – 96
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‘ropa colgado’ series
fernell franco
photograph
1968
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‘ropa colgado’ series
fernell franco
photograph
1968
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‘retratos de ciudad’ series
fernell franco
photograph
90 – 96
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‘interiores’ series
fernell franco
photograph
1975
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‘amarrados’ series
fernell franco
photograph
76 – 94
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Franco began his working life as a messenger, and then was an assistant for a photography studio. Later he became a photojournalist for newspapers including El País and Diario Occidente, and also worked in advertising. He photographed victims of massacres for money, but in his personal work, made early in the morning and late at night, he sought to represent violence through metaphor.

“That tragic, poor, transitional element that is found all over Latin America is encapsulated in those images… The act of binding, of shipping and storing, bespeaks a defenseless class that exists in each of those countries, where there are people who have never owned property and whose only option for conserving what little they have is to bind and enclose it before moving on elsewhere.” – fernell franco

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Fernell Franco : Website

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13
Dec
11

Lee Friedlander : Photography (Sequence 1)

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Friedlander began photographing the American social landscape in 1948. His photographs bring to the surface the juxtapositions of everyday life that comprise our modern world. Beyond the vigorous outward eye he turns to the world around him, Lee is also recognized for his investigation of the self.

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lee friedlander
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lee friedlander
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lee friedlander
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lee friedlander
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lee friedlander
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lee friedlander
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Lee Friedlander is internationally recognized as one of America’s most important contemporary photographers. In the 1960’s his silver print photographs, described as “open-ended alternatives to normal seeing,” provided a shockingly new aesthetic of asymmetrical and fragmented images of the United States. Lacking defined borders and layered with a disjointed profusion of architectural and advertising elements, his photographs were visually equivalent to the broken, improvisational rhythms of jazz. Working within the tradition of Eugene Atget, Walker Evans, Garry Winogrand, and Robert Frank, Lee was one of the first modern photographers to portray the “social landscape” of America as a complex mixture of order and chaos, warmth and alienation, refinement, and commercialism. [Extract]

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Lee Friedlander : Atget Photography

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13
Dec
11

Lee Friedlander : Photography (Sequence 2)

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Friedlander often included oblique references to himself by including his own reflection or shadow in the photographs. – “I suspect it’s for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally borne and is indeed my reason and motive for making photographs.”

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lee friedlander
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lee friedlander
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lee friedlander
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lee friedlander
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lee friedlander
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Lee Friedlander’s unique vision underscores the two-dimensionality of the picture plane and the potential for photographs to contain varying levels of reflection, opacity, and transparency. Like Atget’s photographs, Friedlander’s images of shop windows evoke a certain ambiguity, an oscillation between reflected and actual reality, that invite inspection of the space and the meaning of the image. Similar responses are encouraged by Friedlander’s street photographs, in which shadows of figures (usually Friedlander himself) and other subjects overlap in the photographic image. The projected outline of Friedlander’s body as within the picture frame implies the notion that the photographer can be both behind the camera and in front of it. Interpreted further, Friedlander’s shadow can be taken to represent the imposition of the photographer upon his world and his subject. [Extract : MoCP]

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Lee Friedlander : MoMA

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17
Nov
11

Mark Valentine : Photography

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gashes

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‘gashes’
mark valentine
photograph
2010
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dynamics of a moment

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‘dynamics of a moment’
mark valentine
photograph
2010
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‘m1’
mark valentine
photograph
2010
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shape paths

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‘shape paths’
mark valentine
photograph
2010
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unfathomable

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‘unfathomable’
mark valentine
photograph
2010
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pool rising

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‘pool rising’
mark valentine
photograph
2010
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Mark Valentine : More Works

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28
Oct
11

Brancolina : Photography

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20052011 14:32

‘20052011 14:32’
photograph
2011

agitation

‘agitation’
photograph
2011

tea for three

‘tea for three’
photograph
2011

parts

‘parts’
photograph
2011

gehry's tune

‘gehry’s tune’
photograph
2011

daydreaming

‘daydreaming’
photograph
2011

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brancolina : it is what it is

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07
Oct
11

The Dead Texan – The six million dollar sandwich (video by Christina Vantzou))

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Christina Vantzou : Website

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Ai : Series : Photography Book

aesthetic investig...
By Azurebumble

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