Posts Tagged ‘realism

30
Mar
12

Kikuji Kawada : ‘Chizu – The Map’ Series (Photography Book)

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‘Scraps’
Chizu (The Map) series
gelatin silver print
1959-1965
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‘The Japanese National Flag’
Chizu (The Map) series
gelatin silver print
1960
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‘Scraps’
Chizu (The Map) series
gelatin silver print
1959-1965
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‘Scraps’
Chizu (The Map) series
gelatin silver print
1959-1965
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‘Atomic Dome, Ceiling, Stain of Blood’
Chizu (The Map) series
gelatin silver print
1960-1961
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‘Atomic Dome, Scriblings by Tourists’
Chizu (The Map) series
gelatin silver print
1960-1961
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‘Atomic Dome, Ceiling, Stain of Blood’
Chizu (The Map) series
gelatin silver print
1960-1961
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“No photobook has been more successful in combining graphic design with complex photographic narrative… [as its] various layers inside [are] peeled away like archaeological strata, the whole process of viewing the book becomes one of uncovering and contemplating the ramifications of recent Japanese history — especially the country’s tangled relationship with the United States… His photographs are a masterly amalgam of abstraction and realism, of the specific and the ineffable, woven into a tapestry that makes the act of reading them a process of re-creation in itself. In the central metaphor of the map, in the idea of the map as a series of interlocking trace marks, Kawada has conjured a brilliant simile for the photograph itself: scientific record, memory trace, cultural repository, puzzle and guide…”

[Extract : The Photobook: A History, Volume 1, by Martin Parr and Gerry Badger]

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Kikuji Kawada : SFMOMA

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06
Sep
10

Peri Schwartz : Painter

Peri Schwartz is a New York based artist, her paintings, prints and drawings are
said to blend realism and abstraction with predominating angles, shapes and lines.

Studio X
Oil on canvas
62 x 40 in
2006

Studio XI
Oil on canvas
54 x 42 in
2006

Studio IX
Oil on canvas
60 x 40 in
2005

Studio XVII
Oil on canvas
54 x 46 in
2007

Studio XII
Oil on canvas
52 x 40 in
2006

The still lifes and studio interiors that Peri Schwartz created for “Reflections” are not simple, static arrangements of inanimate objects. Rather, they are thoughtful works in which all compositional elements have been actively analyzed for their formal relationships; this includes color and natural and reflected light. These deliberations are part of a process in which the artist confronts the challenges involved in creating and exploiting pictorial space. To understand these problems, she also engages in a discourse with the great artists of the western tradition of art, examining and replicating works by such artists as Rembrandt, Velazquez and Degas.

Often she even employs a grid technique, not only to copy their paintings, but also to obtain correct proportions and balanced compositions of her own. In this way, she brings into play many of the traditional techniques used by artists to describe objects and locate them in the illusionistic space of the picture plane. Yet, the results of her process of breaking down, analyzing, and altering space, form, and light creates a tension between realistic image and abstract form that is completely modern.

[Extract : Essay by Lulan Yu for Reflections Exhibition Catalog, Page Bond Gallery, March 2010]

Peri Schwartz : Website

05
Jul
10

Andreas Gursky : Photographer

Kathedrale I, 2007
C-Print
237 x 333 cm

Untitled XVI, 2008
C-Print, Diasec
237 x 506 x 6,2 cm

Untitled XV, 2008
C-Print, Diasec
237 x 506 x6,2 cm

Andreas Gursky Selected Works




Ai : Series : Photography Book

aesthetic investig...
By Azurebumble

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