Posts Tagged ‘dispersed

26
Jan
12

Elín Hansdóttir : ‘Path’ (Site-Specific Installation)

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Elín Hansdóttir’s site-specific installations take many forms, including auditory or optical illusions, labyrinthian tunnels and motion-activated architectural elements. Hansdóttir creates self-contained worlds that seem to operate under their own set of rules, completely transforming a benign space into one that defies expectations and seems only to exist at a particular moment in time. Though her site-specific installations are complex in construction and technical craft, they take on a stark aesthetic, so that her work operates as a kind of blank slate for viewer experience and interaction.

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Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
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Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
::

::
Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
::

::
Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
::

::
Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
::

::
Elín Hansdóttir
Sound: Úlfur Hansson
‘Path’ : Site-Specific Installation
Construction : Jeannot Dupont & Ulf Sturhann
::

Path is a site-specific labyrinthine structure that weaves through each space it inhabits, filling the physical area with its winding course. Each exhibition site dictates the form of the zigzagging tunnel. Working with the boundaries determined by the external space, the structure is outlined directly on the floor, with the objective of having the structure occupy as much of the site as possible, thus creating a unique shape each time. The only light source emanates from vertical and horizontal slits throughout the construction. Due to the structure´s sharp edges, the light is dispersed in such a way that one mistakes shadows for walls, walls for space, and light for walls…

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Elín Hansdóttir : Website

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09
Jul
10

Richard Long : Textworks

Click Images For Text On  White Background

Nature has always been recorded by artists, from pre-historic cave paintings to 20th century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking. Walking itself has a cultural history, from Pilgrims to the wandering Japanese poets, the English Romantics and contemporary long-distance walkers.

My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere’. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art. Each walk followed my own unique, formal route, for an original reason, which was different from other categories of walking, like travelling. Each walk, though not by definition conceptual, realised a particular idea. Thus walking – as art – provided an ideal means for me to explore relationships between time, distance, geography and measurement. These walks are recorded or described in my work in three ways: in maps, photographs or text works, using whichever form is the most appropriate for each different idea. All these forms feed the imagination, they are the distillation of experience. Richard Long

TEXTWORKS

EXHIBITION WORKS

HEAVEN AND EARTH : TATE BRITAIN




Ai : Series : Photography Book

aesthetic investig...
By Azurebumble

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