Posts Tagged ‘diagonals

29
Nov
12

Luca Baldassari : “Aereogrammi” Series (Photography)

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“a006”
“aereogrammi” series
photograph
2008
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“a0015”
“aereogrammi” series
photograph
2008
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“a008”
“aereogrammi” series
photograph
2008
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“a009”
“aereogrammi” series
photograph
2008
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“a0013”
“aereogrammi” series
photograph
2008
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“a003”
“aereogrammi” series
photograph
2008
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“a005”
“aereogrammi” series
photograph
2008
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“I don’t know much about my philosophy which is still being defined, but to tell the truth I don’t think it really needs to be defined. I mainly use the pinhole camera, a technique that I have used now for over 20 years. The cameras and hand holes are all made by me, this is one of the reasons why I decided to use this technique since it allows me to build my own visual space/photo space in full freedom and to use all the sensitive materials provided by polaroid and fuji, from photo paper to digital. I can also use long exposure times and see life and things from a different point of view, giving me time to think and understand better… The common theme of my photos is often the journey, where the photos can be used as a clipboard memory, hence on returning from my travels I can re-elaborate my ideas and seek common themes to link the images together.” Luca Baldassari

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Luca Baldassari : Website

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25
Mar
12

Azurebumble : ‘Red Forms’ (Architectural Photography)

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Architectural Forms : Dalhousie Building : Dundee University

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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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‘Dalhousie Building′
Azurebumble
Photograph
2012
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Azurebumble : Website

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06
Mar
12

Azurebumble : ‘Abstractions’ Series (Photography)

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Architectural Abstractions : Dalhousie Building : Dundee University

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‘White Lines 1’
Azurebumble
Photograph
2012
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‘White Lines 2’
Azurebumble
Photograph
2012
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‘White Lines 3’
Azurebumble
Photograph
2012
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‘White Lines 4’
Azurebumble
Photograph
2012
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‘White Lines 5’
Azurebumble
Photograph
2012
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‘White Lines 6’
Azurebumble
Photograph
2012
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‘White Lines 7’
Azurebumble
Photograph
2012
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‘White Lines 8’
Azurebumble
Photograph
2012
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Azurebumble : Website

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28
Feb
12

Brancolina : ‘Jewish Museum in Berlin’ (Photography)

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Photo impressions of the Jewish museum in Berlin, designed by Daniel Libeskind.

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‘anxiety’
brancolina
2011
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‘agitation’
brancolina
2011
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‘fear’
brancolina
2011
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‘exile’
brancolina
2011
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‘remembrance’
brancolina
2011
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‘untitled feeling’
brancolina
2011
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Nothing is unimportant. There is no place without history, where you can just do what
you want. Every place speaks in a unique way. It needs to communicate a certain way
and to appeal to people. Architecture is an art of communication – not with words, but
with proportions and with an aura. Every building must tell a story. – Daniel Libeskind.

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Brancolina : Website

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23
Feb
12

Fernand Hick : Photography

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‘Roof window’
Fernand Hick
Photograph
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‘Reading between the lines’
Fernand Hick
Photograph
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‘Bench seat’
Fernand Hick
Photograph
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‘On the wave…’
Fernand Hick
Photograph
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‘Deckchairs’
Fernand Hick
Photograph
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‘A nice roof’
Fernand Hick
Photograph
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‘Triangle’
Fernand Hick
Photograph
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“I am a very personal and original photographer, whose working-method aims to transfer in my images the feelings I experienced while shooting. I am above all an atmosphere photographer. My atmosphere captures results from a subtle mixture between fuzzy zones and perfectly sharp ones.” – Fernand Hick

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Fernand Hick : More Works

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05
Feb
12

Felice Varini : Site-Specific Installations (Paintings)

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‘Ellipse in red trapezoid’
Site-specific installation
Felice Varini
2008
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‘Trapezoid in red ellipse’
Site-specific installation
Felice Varini
2008
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‘Red ellipse for the window’
Site-specific installation
Felice Varini
1995
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‘Eight eccentric circles No.1’
Site-specific installation
Felice Varini
1998
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‘Three red triangles’
Site-specific installation
Felice Varini
2001
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‘Ellipse on two points’
Site-specific installation
Felice Varini
1997
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‘Ellipse with six circular holes’
Site-specific installation
Felice Varini
2000
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“My field of action is architectural space and everything that constitutes such space These spaces are and remain the original media for my painting. I work “on site” each time in a different space and my work develops itself in relation to the spaces I encounter. I generally roam through the space noting its architecture, materials, history and function. From these spatial data and in reference to the last piece I produced, I designate a specific vantage point for viewing from which my intervention takes shape.

The vantage point is carefully chosen: it is generally situated at my eye level and located preferably along an inevitable route, for instance an aperture between one room and another, a landing… I do not, however, make a rule out of this, for all spaces do not systematically possess an evident line. It is often an arbitrary choice. The vantage point will function as a reading point, that is to say, as a potential starting point to approaching painting and space.

The painted form achieves its coherence when the viewer stands at the vantage point.When he moves out of it, the work meets with space generating infinite vantage points on the form. It is not therefore through this original vantage point that I see the work achieved; it takes place in the set of vantage points the viewer can have on it. If I establish a particular relation to architectural features that influence the installation shape, my work still preserves its independence whatever architectural spaces I encounter. I start from an actual situation to construct my painting. Reality is never altered, erased or modified, it interests and seduces me in its complexity. I work “here and now”. – Felice Varini

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Felice Varini : Website

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