Posts Tagged ‘Barcelona

30
Jan
12

Humberto Rivas : Photography

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‘Barcelona’
Humberto Rivas
Photograph
1980
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‘Barcelona’
Humberto Rivas
Photograph
1989
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‘Cordoba’
Humberto Rivas
Photograph
2004
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‘Barcelona’
Humberto Rivas
Photograph
1982
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‘El Velodromo’
Humberto Rivas
Photograph
1980
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‘La Alfandega’
Humberto Rivas
Photograph
1994
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“When I was living in Argentina when I was very young I began a very close relationship with art in general. I studied Fine Art and painting was very important to me. So was the cinema. I was mad about the cinema—a passion I still maintain–, to the point that I became a member of a place where they showed films and I went there every day. This passion for the cinema brought with it the wish to own a camera. I wanted to take photographs like the ones in films. After a lot of insistence on that wish and with the help of my father, I bought a 35 mm camera, a Nikon, and I started taking pictures non-stop.”

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Humberto Rivas : Website

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10
Nov
11

Fernandoprats : Photography

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Yes, I like watching and I watch

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Fernandoprats
‘Yes, I like watching and I watch’
Part of “Instant compositions instants” series.
2010
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Right sense/s

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Fernandoprats
‘Right sense/s’
Part of “Barceloning” series.
2010
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through an abbreviated dictionary

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Fernandoprats
‘through an abbreviated dictionary’
Part of “Instant compositions instants” series.
2010
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I waited for you

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Fernandoprats
‘I waited for you’
Part of “Álbum sin nombre” series.
2011
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Mushrooms that spring with the thaw in winter

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Fernandoprats
‘Mushrooms that spring with the thaw in winter’
Part of “Organics are strange animals, never ending {¿^}” series.
2011
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Seen in Alicante, yes, please, like this

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Fernandoprats
‘Seen in Alicante, yes, please, like this’
Part of “Seening” series.
2011
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Some look green four times a week, at least
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Fernandoprats
‘Some look green four times a week, at least’
Part of “Elegance, please… monsters” series.
2011
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This particular sequence is constructed from numerous different series of ‘FotoWorks’ by Fernando. Therefore, I would encourage anyone who is intrigued by these marvelous works to click on each individual image to view texts & tags. This will resignify the speech of each image and each series, allowing for a better understanding of context and a further appreciation of the artists original intent.

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Website

More Works

Y Sin Embargo Magazine

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07
Nov
11

Semiconductor : 20 Hz (Motion Graphics)

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A Semiconductor work by Ruth Jarman and Joe Gerhardt.

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20 Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception. Made for ‘Invisible Fields’ at Arts Santa Monica in Barcelona : Here

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Semiconductor Films

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21
Sep
11

Y SIN EMBARGO magazine Last/s, #29 (new! published!)

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If communicating means to put something in common, is it possible, today, at the height of

the era of communication, putting something in common? Or all we got are monologues?

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Y SIN EMBARGO magazine Last/s, #29 (new! published!)

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ON PAPER / READ ONLINE

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About this issue………Seven years of a periodical and independent publication is perhaps both necessary and long enough a time to verify or put into practice a set of ideas, wishes and adventures.

YSE closes a cycle, but doesn’t close (neither literally nor metaforically). New situations, new circumstances and, most of all, new wishes and interests consume and demand the always limited well of time and energy. We have grown in this seven years without any kind of sponsoring, there was never a financial support or even modest underpinnings to give any logic of survival to the publication.

Everything has been done on breathhold, in a respiratory exercise, at times painful, even if oxygen (of course intangible) always managed to be there in the end. Nevertheless these are times of generalised asphyxia and sometimes – even though nostalgia or stubbornness exert their seduction- it is necessary to dry dock the boat, caulk and face different courses. We will go on…….but we will be other.

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edit, direc & comple by fernandoprats

art direc & desig by Estudi Prats

virtual soport by Rivera Valdez

biotranslations by Alicia Pallas

video by Raquel Barrera Sutorra

music by Albert Jordà / Nevus project

almostopen_by manuel alcaide mengual

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from

roman aixendri manuel alcaide mengual brancolina wilma eras oriol espinal ezook rosa delia guerrero manuel diumenjó h.o. kozology françoise lucas juan pablo sáenz graciela oses alicia pallas carlos pataca leonie polah fernandoprats miguel ruibal nirvana sq jef safi alain vaissiere dou_ble_you azure_b

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from

a coruña, amsterdam, antwerp, barcelona, bielefeld, buenos aires, campredó, dundee, grenoble irapuato london, mar del plata, méxico d.f. nijmegen seattle sevilla tarragona terrassa toronto toulouse

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Thanks to all those who have been reading and watching.
Thanks to all those who take and took part.
You’ll be hearing from us.

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ON PAPER / READ ONLINE

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22
Mar
11

Y SIN EMBARGO magazine #27 : in-significant

Y SIN EMBARGO magazine #27, in-significant (new!, free, independent)

Y SIN EMBARGO magazine #27, in-significant (new!, free, independent)

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READ ONLINE

ON PAPER

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(sh)

in-significant

Not even things but the discourse on things.

Not even interaction with the object but just with the discourse on the object.

Absence of significance in an Empire of signifiers.

Rhetorical update: Surfer discourse not defending any stance, just suspecting.

Bottomless surfer, dissections by a forensic surgeon of the senses.

Sublimation of languages?

Apocalyptic deconstruction?

Waste management at the end of the game?

What do we speak about when we speak? What do we refer to?

Do you know what I’m talking about?

The medium turned into massage.

When the message from the medium is just the massage of discourse.

Massive addiction to the daily soma of a “renewed” discourse, a distracting one, without consequences or content, paradigmatic on mass-media and social networks.

Words and things.

What names and is named, cultural conventions, significance-signifier-jingle-label.

Channel as the bearer of uncontrollable noise.

At a higher level every day (as this formula is understood in programming) and further from objects and phenomena?

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edit(ing), direct(ing) & complements_
fernando prats

art direct(ing) & design(ing)_
estudi prats

colacao & ordenaciones_
rivera valdez

biotranslat(ing) & reflejos_
alicia pallas

(h)original music_
albert jordà / nevus project

(h)original video_
raquel barrera sutorra

front cover(ing) index_ players

open(ing) in-troduction_ alain vaissiere

clos(ing) macbeth_ leonie polah

back(c)over(ing) discourse_ thomas hagström

…from

roman aixendri
azurebumble
hernán dardes
manuel diumenjó
wilma eras
oriol espinal
ezook
thomas hagström
h.o.
kozology
françoise lucas
jorge montecof
graciela oses
alicia pallas
leonie polah
fernando prats
beatriz giovanna ramírez
miguel ruibal
juan pablo sáenz
jef safi
nirvana sq
alain vaissiere
susan wolff
dou_ble_you

12
Dec
10

Fernandoprats : Photography

Traveling to become humbler

Fernandoprats
‘Traveling to become humbler’
Part of People are people, 2.0 relationships and others.
2010

Absinther

Fernandoprats
‘Absinther’
Part of Prahabsynth series.
2010

Muerte del ángel

Fernandoprats
‘Muerte del ángel’
Part of Songfots series.
2009

for an oleaginous overview

Fernandoprats
‘For an oleaginous overview’
Part of Instant compositions instants.
2010

Answerer

Fernandoprats
‘Answerer’
Part of Prahabsynth series.
2010

Probably you

Fernandoprats
‘Probably you’
Part of “New York Old” series.
2010

Dyslexic dialogue

Fernandoprats
‘Dyslexic dialogue’
Part of Instant compositions instants
2010

This particular sequence is constructed from numerous different series of ‘FotoWorks’ by Fernando. Therefore, I would encourage anyone who is intrigued by these marvelous works to click on each individual image to view texts & tags. This will resignify the speech of each image and each series, allowing for a better understanding of context and a further appreciation of the artists original intent.

Website

More Works

Y Sin Embargo Magazine




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