Archive for the 'photography' Category



04
Feb
12

Boris Savelev : Photography

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“The camera need not be a cold mechanical device. Like the pen, it is as good as
the man who uses it. It can be the extension of mind and heart…” John Steinbeck

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‘Self Portrait, Madrid’
Boris Savelev
Photograph
2007
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‘Trolley Bus, Moscow’
Boris Savelev
Photograph
2002
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‘Untitled’
Boris Savelev
Photograph
2007
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‘Moncloa, Madrid’
Boris Savelev
Photograph
2008
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‘Speaking Lady, Moscow’
Boris Savelev
Photograph
1988
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‘Untitled’
Boris Savelev
Photograph
2007
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‘Untitled’
Boris Savelev
Photograph
2007
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It’s often said that the camera never lies, it does not always tell us the most meaningful of truths and the task of the fine art photographer is to endow the raw image with further layers of meaning. And the degree of success achieved is, in my view, entirely commensurate with the integrity and honesty with which that task is carried out. Savelev’s work amply exudes these admirable qualities. His photographs observe their subjects mutely yet intelligently rather than exposing them to glare or seeming to intrude on them unnecessarily. His photographs are painterly in composition and in effect.

While Savelev’s photographs have a cool and confident feeling about them, they are never brash or strident. The overt subject matter of his work varies greatly but throughout there is a consistent preoccupation with painterly techniques of composition. The use of colour in is reminiscent of colour field paintings and lyrical abstraction.There are also nods to Russia’s constructivist past in much of his work, and even hints of Neo-Plasticism. The many photographs of scenes in Chernowitz, where Savelev was born, and Moscow, where he lives, avoid the overt politics and sentimentality that frequently accompany works which attempt to be documentary in nature. In Savelev’s work, the purity and beauty of the image, the arrangement of colour, form and light are always paramount in a way that often seems alien to fine art photography today. – [Extract : John Kavanagh's Review - Colour Construction.]

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Boris Savelev : Factum-Arte

Boris Savelev : Betty Guereta Gallery

Boris Savelev : Russia, Spain, Ukraine

Boris Savelev : Michael Hoppen Gallery

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02
Feb
12

Juergen Bergbauer : ‘Nature Studies’ (Photography)

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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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‘untitled’
inkjet print
27 x 21 cm
2008
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Archive comprises 665 photographs of 152 different objects found at roadside, depicted from various vantage points and arranged by form and applicability. ’42 Studies’ show compositions of the objects from the archive. The assortment of studies is based on variations of the following compositional criteria: – form of the used objects, expansion and positioning of the objects within the defined space…

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Juergen Bergbauer : Website

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01
Feb
12

Alisdair Miller : ‘Urban’ Series (Photography)

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‘Arrival’
Alisdair Miller
Photograph
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‘Untitled’
Alisdair Miller
Photograph
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‘Amongst Giants’
Alisdair Miller
Photograph
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‘Infinity’
Alisdair Miller
Photograph
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‘The Bridge’
Alisdair Miller
Photograph
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‘Modernity’
Alisdair Miller
Photograph
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‘New Light’
Alisdair Miller
Photograph
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Alisdair Miller : Website

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31
Jan
12

Paul Laurent Hughes : ‘Underground’ Series (Photography)

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‘Underground’
Paul Laurent Hughes
Photography
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‘Underground’
Paul Laurent Hughes
Photography
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‘Underground’
Paul Laurent Hughes
Photography
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‘Underground’
Paul Laurent Hughes
Photography
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‘Underground’
Paul Laurent Hughes
Photography
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‘Underground’
Paul Laurent Hughes
Photography
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Paul Laurent Hughes : Portfolio

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31
Jan
12

Юрий Марушкин : Photography

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‘A letter’
Юрий Марушкин
Photograph
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‘A Buoy’
Юрий Марушкин
Photograph
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‘Winter house’
Юрий Марушкин
Photograph
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‘Winter beach’
Юрий Марушкин
Photograph
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‘A Fence’
Юрий Марушкин
Photograph
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‘Five boxes’
Юрий Марушкин
Photograph
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‘Winter ships’
Юрий Марушкин
Photograph
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‘X letter’
Юрий Марушкин
Photograph
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Юрий Марушкин : More Works

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30
Jan
12

Humberto Rivas : Photography

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‘Barcelona’
Humberto Rivas
Photograph
1980
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‘Barcelona’
Humberto Rivas
Photograph
1989
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‘Cordoba’
Humberto Rivas
Photograph
2004
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‘Barcelona’
Humberto Rivas
Photograph
1982
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‘El Velodromo’
Humberto Rivas
Photograph
1980
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‘La Alfandega’
Humberto Rivas
Photograph
1994
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“When I was living in Argentina when I was very young I began a very close relationship with art in general. I studied Fine Art and painting was very important to me. So was the cinema. I was mad about the cinema—a passion I still maintain–, to the point that I became a member of a place where they showed films and I went there every day. This passion for the cinema brought with it the wish to own a camera. I wanted to take photographs like the ones in films. After a lot of insistence on that wish and with the help of my father, I bought a 35 mm camera, a Nikon, and I started taking pictures non-stop.”

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Humberto Rivas : Website

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New : Photography Book

aesthetic investiga...
By Azurebumble

Puddle thinking

Imagine a puddle waking up one morning and thinking, “This is an interesting world I find myself in, an interesting hole I find myself in, fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!”

This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it's still frantically hanging on to the notion that everything’s going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise.

I think this may be something we need to be on the watch out for.

(Douglas Adams)

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