Archive for the 'art' Category

23
Jul
13

Azurebumble : ‘Green on Blue’ Series (Digital Artworks)

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A series of digitally enhanced urban photographs

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green on blue 6

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‘green on blue’ series
digital graphic
azurebumble
2013
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green on blue 1

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‘green on blue’ series
digital graphic
azurebumble
2013
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green on blue 3

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‘green on blue’ series
digital graphic
azurebumble
2013
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green on blue 5

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‘green on blue’ series
digital graphic
azurebumble
2013
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green on blue 2

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‘green on blue’ series
digital graphic
azurebumble
2013
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green on blue 4

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‘green on blue’ series
digital graphic
azurebumble
2013
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Azurebumble :: Ipernity

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18
Jul
13

Azurebumble : ‘Black and Blue’ Series (Digital Artworks)

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A series of digitally enhanced urban photographs

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black and blue 1

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‘black and blue’ series
digital graphic
azurebumble
2013
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black and blue 2

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‘black and blue’ series
digital graphic
azurebumble
2013
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black and blue 3

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‘black and blue’ series
digital graphic
azurebumble
2013
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black and blue 4

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‘black and blue’ series
digital graphic
azurebumble
2013
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black and blue 5

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‘black and blue’ series
digital graphic
azurebumble
2013
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Azurebumble :: Ipernity

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04
Jul
13

Azurebumble :: ‘Urban Texts’ Series (urban photography)

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Currently there are major redevelopments occurring on the riverside in Dundee in

preparation for the new V&A Museum. This selection of photographs captures some

of the texts and surfaces from the numerous boards that now loosely define this area…

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ut3

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‘urban texts’
photography series
azurebumble
2013
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ut7

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‘urban texts’
photography series
azurebumble
2013
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ut6

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‘urban texts’
photography series
azurebumble
2013
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ut4

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‘urban texts’
photography series
azurebumble
2013
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ut5

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‘urban texts’
photography series
azurebumble
2013
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ut9

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‘urban texts’
photography series
azurebumble
2013
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ut2

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‘urban texts’
photography series
azurebumble
2013
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ut8

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‘urban texts’
photography series
azurebumble
2013
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Azurebumble :: Ipernity

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04
Dec
12

William Klein : “Painted Contact Sheets” Series

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“The idea for the colour and graphics comes from the red lines
photographers put around their choices on a contact sheet.” W.K.

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106442

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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William Klein_gordas

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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William-Klein-Dakar-school’s-out-1985.-Painted-contact-1998-640x537

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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Gun-Gun-Gun-New-York-19551-640x533

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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5177807247_8597808736_b-640x533

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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5177807969_4d01b3b81a_z

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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5178409896_ce6bac97ae_b

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William Klein
‘painted contact’ series
silver gelatin print with paint,
20 x 24″
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5178408408_2a6ef687de_b

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William Klein
‘painted contact’ series
silver gelatin print with paint,
24 x 20″
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Klein returned to still photography in the 1980’s, ever progressive and unrelenting in his approach. Revisiting his work to that date, he made large-scale blow-ups of his photographic contact sheets, revealing on an unparalleled scale the frames before and after the decisive image. Liberally applying gloss brush strokes in bold colours to these mural-sized prints, Klein brought together key elements from his long career: graphic form, composition and colour from the early murals and paintings juxtaposed with ground-breaking fashion and street photos, along with the narrative and bold visual language of his experimental films. A defining moment where his unique vision came full circle. – Extract

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William Klein + Daido Moriyama : Tate Modern – Exhibition

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11
Oct
12

rAndom International : “Rain Room at the Barbican”

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Music by Max Richter
Filming by Gramafilm

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Random International invites you to experience what it’s like to control the rain. Visitors can choose to simply watch the spectacle or find their way carefully through the rain, putting their trust in the work to the test. More than the technical virtuosity necessary for its success, the piece relies on a sculptural rigour, with the entire Curve transformed by the monumental proportions of a carefully choreographed downpour and the sound of water. R.I. are known for their distinctive approach to digital-based contemporary art. Their experiments come alive through audience interaction and staged performance…

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rAndom International

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23
Aug
12

antonia low : “gewicht des sehens” installation (on paper)

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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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“gewicht des sehens”
20 x 29 cm
C-print
2012
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The exhibition pavillion designed by the Irish artist Stephen Craig is set inside an old factory building. The floor of the pavillion is covered entirely with mirror glass and a black spray-painted scaffolding is installed on top of the fragile surface. The modernistic architecture of the building, which refers to Mies van de Rohe‘s pavillion, is reflected in the floor. The visitiors can see themselves, the space from the top of the scaffolding structure and observe the entire space in a completely different way. But through the installation and with each movement of the spectators the weight of the structure cause a continous destruction of the mirror surface. A few scaffolding elements are even thrown over onto the cracking glass while other elements remain either partly constructed or partly deconstructed in the space. Seeing their own reflections the spectators become aware of themselves, they see the caused damage and realise that the perfection was gone instantly, or had never even been achieved. [Extract]

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Antonia Low : Website

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Ai : Series : Photography Book

aesthetic investig...
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