Archive for November, 2010

30
Nov
10

Dan Holdsworth : ‘Blackout’ Series (Photography)

Blackout 17
C-type print
226 x 177 cm
2010

Blackout 07
C-type print
226 x 177 cm
2010

Blackout 13
C-type print
226 x 177 cm
2010

Blackout 08
C-type print
226 x 177 cm
2010

Blackout 12
C-type print
226 x 177 cm
2010

Blackout 01
C-type print
226 x 177 cm
2010

‘Blackout’, presented at BALTIC Centre for Contemporary Art from Friday 12 November, brings together a remarkable new sequence of images taken in Iceland by British photographer Dan Holdsworth.

Occupying a space between documentary and the make-believe, these photographs, reproduced to a grand scale, transform the elemental terrain of giant Icelandic glaciers as they melt away into a strange, futuristic landscape. Blackout’s awe-striking photographs appear so otherworldly it is almost impossible to believe that these lunar-style landscapes actually exist.

The blue of the sky becomes the deep black of space, while the earth appears in negative, beyond imaginable human time and space. Reconstructing the notion of the romantic sublime for the 21st century, Holdsworth’s practice is consumed with investigating the unknown: pushing the peripheries of time, space, and consciousness beyond the limits of ordinary perception.

Since the late 90s, Holdsworth has developed a reputation as one of the most innovative British photographers currently working with landscape. While his early series concentrate on the quiet moments in everyday spaces: office buildings after work, car parks at night and deserted motorway flyovers his most recent work, as captured in Blackout, explore the natural world defining a modern spiritualism and a humbling reminder of the scope of things yet undiscovered.

[Extract : Dan Holdsworth - Exhibitions]

Dan Holdsworth : Projects

29
Nov
10

Desolat MG : Pulshar “Distant Fire” (Video)

Cut and paste by Aphro / Fer García

Images from:

Maya Deren and Alexander Hamid: Meshes Of The Afternoon (1943)
Marcel Duchamp and Maya Deren: Witchs Cradle (1943)

Pulshar “Inside” (DESOLAT CD003)

Desolat MG : Vimeo

29
Nov
10

Desolat MG : ‘To The Beat’ (Animation)

‘To The Beat’
An Audiovisual Animation About The Making Of A Record
by Roman Tönjes & Lukas Loss
Track: Jay Haze – “Mama Coca” (SIS Remix)

Desolat MG : Vimeo

29
Nov
10

Xavier Comas : ‘Tokyo Up, Down’ (Photography)

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

Xavier Comas
‘Tokyo Up, Down’
Photography Series

“As urban environments are increasingly dependent on the efficient use of space, high-rise structures have become the solution to overpopulation issues. Elevators enabled the development of many-storied buildings and fundamentally altered urban landscapes and social space. Tokyo epitomizes the densely populated megalopolis, where elevators are a showcase for the basic paradox of personal alienation in urban living: the inescapable physical proximity countered by emotional distance.

The Tokyo Up, Down project comprises a series of black & white photographs taken inside and outside of elevators in Tokyo. The project explores vertical transportation in the intimacy of the elevator cabin, a moment of silence suspended in space and time, which nonetheless yields a rich array of subtle interactions between strangers on the shortest ever journey.

Elevators are part of the post-industrial emergence of transitional spaces within the complex urban fabric. Tokyo Up, Down is a visual essay that tries to show the elevator space as a transit hub that connects the surface of the megalopolis with the layers underneath. From random high-speed day-trips in skyscrapers of Nishi-Shinjuku business district to the seedy rides in the late-night buildings of Kabukicho’s red light district, both sides coexist in a relationship of interdependence.” – Xavier Comas

Xavier Comas : Website

Xavier Comas : Lens Culture

Xavier Comas : ‘Pasajero’ – Photographic Essay

27
Nov
10

Fernell Franco : ‘Amarrados’ (Bound)

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco
‘untitled’
‘Amarrados’ (Bound) series
gelatin silver print

Fernell Franco (1942-2006) is considered one of the few photographers who developed a distinct lyrical view of the shift toward modernity in Latin America. The exhibition ‘Amarrados’ [Bound] focused on the Amarrados series comprising large-scale black and white photographs developed by Franco in the early 1980s. ‘Amarrados’ [Bound] was the first solo exhibition devoted to the artist in the United States.

It featured twenty vintage prints and a number of preparatory studies that Franco produced in order to create the series. He conceived his photographs in street markets in Colombia and other Latin American countries from the 1980s onwards, featuring wrapped up devices and isolated inanimate objects typically used by informal vendors to protect their merchandise. His images are devoid of human presence, conveying death, solitude, violence, abandonment, and mystery. [Americas Society]

Fernell Franco : Website – Series

27
Nov
10

Library Tapes – Above the flood


Artist : Library Tapes
Track : Above the flood
Video : Unni Lilja
Album : A Summer Beneath The Trees




New : Photography Book

aesthetic investiga...
By Azurebumble

Puddle thinking

Imagine a puddle waking up one morning and thinking, “This is an interesting world I find myself in, an interesting hole I find myself in, fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!”

This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it's still frantically hanging on to the notion that everything’s going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise.

I think this may be something we need to be on the watch out for.

(Douglas Adams)

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