Archive for August, 2010

31
Aug
10

John Grade : Sculptor

Elephant Bed
Installation
Fabrica
2009

Meridian
Cast polyurethane rubber, rigid submersible foam, cables and filament.
12 x 16 x 16 feet.
2008

Circuit
glazed ceramic backed with gypsum polymer,
laminated to corn-based resin and marine netting
9′ 3″ x 24″ x 24″
2010

Circuit
glazed ceramic backed with gypsum polymer,
laminated to corn-based resin and marine netting
9′ 3″ x 24″ x 24″
2010

Circuit
glazed ceramic backed with gypsum polymer,
laminated to corn-based resin and marine netting
9′ 3″ x 24″ x 24″
2010

Fold (detail)
Wood and resin.
8 x 8 x 5 feet.
2008

Landscape is at the heart of John Grade’s work. Grade walks as a traveller, crossing vast and often extreme environments. Some are full of meaning like the Killing Fields in Cambodia, others defy human life such as the Jordanian desert or the Cascade Mountains on the US/ Canada border. When he returns to the studio he produces meticulously crafted work that combine a wide range of materials remindful of those places: wood pulps, goat fur, resins, home made ice, hot pepper sauce. Once constructed the pieces are then put back outside, into a harsh landscape, buried or left to decay, dissolve or be eaten, as nature intended. Always in transition and open to chance Grades sculptures are rarely finished. Occasionally dragging them back indoors to be exhibited or reworked, then returned again to the landscape as a possible final resting point. What we see in the gallery is just one part of a long journey of transformation. [Extract : Fabrica]

John Grade : Website

30
Aug
10

Robert Overweg: Photographer in the Virtual World

The end of the virtual world 1
2010
Robert Overweg
Left 4 dead 2

The end of the virtual world 5
2010
Robert Overweg
Half-life 2

The end of the virtual world 6
2010
Robert Overweg
counter-strike source

the facade
2010
Robert Overweg
half-life 2

In his serie The end of the virtual world Robert Overweg shows us a remarkable series of photographs which he took in four different computer games. They show us the end of the virtual world in a way which is sometimes presented to us to determine the border of the game or level. All photographs have the same vanishing point, straight in the center of the image, almost in a classical manner, as we have learnt in elementary school which told us what perspective is, with two lines going into one point on the horizon in between which you draw a railway track.

This may be the case here but there is more going on: the air is cloudy, the light is dramatic, the corners are sharp, the horizon is invisible. We stand at the edge of a a abyss or in front of the beginning of a black tunnel. This does not mean that these worlds have a dreamy feel to them maybe this is because of the moment and the way this landscape is sculpted. A road which has been cut off, a field of grass which suddenly stops or a railway which abruptly disappears into nothing; something which wouldnt happen in daily reality or is not visible. Because these images are artificial and behold a high aesthetic value, they are able to breathe; the drama is somewhat toned down. [John De Weerd]

Shot by Robert

Robert Overweg : Website

30
Aug
10

Renaud Hallée : Sonar

Music generated by an animated cycle. 2009
(Basic keyframe animation using flash, without scripting)

Renaud Hallée : Vimeo

30
Aug
10

Claire Fahys : Cities

Pocket Compass
Mix media on canvas
270cm / 190cm
2008

Traffic
Mix media on wood panel
43cm / 43cm
2010

B-Lift
Mix media on wood panel
70cm / 70cm
2010

AAAAAA
Mix media on wood panel
70cm / 70cm
2010

2nd of February-Last call
Mix media on wood panel
42.5 cm / 40cm
2009

Cold Red
Mix media on wood panel
50.5 cm / 45.5 cm
2009

Claire Fahys explores the future of social relationships in an increasingly virtual and global world. Freed up from any material constraint, virtual communities allow infinite interconnections for an unlimited population. But like vertical villages imagined by Le Corbusier in the 30s, these giant cities that aim at developing human relationships do have a dehumanised aspect. In the transition from the old real world to the new virtual world, human beings make the scaring experience of their smallness relative to the mass. [Extract : The French Art Studio]

Claire Fahys : Website

Claire Fahys : Blog

30
Aug
10

Jp Frenay : Artificial Paradise, Inc

Artificial Paradise, Inc is an experimental film anticipating a future where a major corporation has developed an unique software, based on organic virtual reality, which holds all the lost memories of humankind. A user connects to this database of the forgotten…what is he searching for?

Jp Frenay : Vimeo

30
Aug
10

Manolo Chrétien : Photography

Nose-Concorde
October 2008
Location: Toulouse Blagnac
Type: Concorde Presedential

Spirit
November 2008
Location: Tucson Arizona
Type: Lockheed C-69 Constellation

Nose-De Gaulle II
September 2009
Location: Dugny
Type: Sud Aviation Caravelle du Général de Gaulle

Fyingbox
November 2008
Location: Tucson Arizona
Type: Fairchild C-119C Flying Boxcar

Black Widow
November 2009
Location: New York City
Type: Douglas F3D-2 Skyknight

Supermarine
November 2009
Location: JFK New York
Type: Supermarine F-1 Scimitar

Manolo Chretien is fascinated by our modern world in constant movement. With cars, planes, trains, cargos we have created fantastic machines to accelerate time, but they might have superseded human beings. They have become an absolute necessity to execute any daily activity, their manufacturing is central to the economy, their possession is fundamental to political and military power. These metal objects are the prism of human ambition, the mirrors of our illusions. [Extract : The French Art Studio]

Manolo Chrétien : Nouveux Nez

Manolo Chrétien : Chiefs & Spirits




New : Photography Book

aesthetic investiga...
By Azurebumble

Puddle thinking

Imagine a puddle waking up one morning and thinking, “This is an interesting world I find myself in, an interesting hole I find myself in, fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!”

This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it's still frantically hanging on to the notion that everything’s going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise.

I think this may be something we need to be on the watch out for.

(Douglas Adams)

email address

Join 237 other followers


Follow

Get every new post delivered to your Inbox.

Join 237 other followers